| Chapter # | Sentence # | Quote |
|---|---|---|
| 10 | 18 | Moreover, if not too much View more quotes about time">time is allowed to elapse, a Priest-King may leave a message in his chamber or in a corridor for another Priest-King, and the other may arrive later and interpret it. |
| Chapter # | Sentence # | Quote |
|---|---|---|
| 10 | 15 | For example, does a Priest-King have the same qualitative experience that I do when we are confronted by the same scent? I am inclined to doubt it, for their music, which consists of rhapsodies of odors produced by instruments constructed for this purpose, and often played by Priest-Kings, some of whom I am told are far more skillful than others, is intolerable to my ear, or I should say, nose. |
| 10 | 16 | Communication by odor-signals can in certain circumstances be extremely efficient, though it can be disadvantageous in others. |
| 10 | 17 | For example, an odor can carry, to the sensory appendages of a Priest-King, much farther than can the shout or cry of a man to another man. |
| 10 | 18 | Moreover, if not too much time is allowed to elapse, a Priest-King may leave a message in his chamber or in a corridor for another Priest-King, and the other may arrive later and interpret it. |
| 10 | 19 | A disadvantage of this mode of communication, of course, is that the message may be understood by strangers or others for whom it is not intended. |
| 10 | 20 | One must be careful of what one says in the tunnels of Priest-Kings, for one's words may linger after one, until they sufficiently dissipate to be little more than a meaningless blur of scent. |
| 10 | 21 | For longer periods of time there are various devices for recording a message, without relying on complex mechanical devices. |