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"closely "

Book 16. (1 results) Guardsman of Gor (Individual Quote)

I observed the dancer, closely, the striking of her small, clenched fists on the tiles, the scratching of her fingernails at their smooth surfaces, the turning of a hip, the flattening of a thigh, the lifting of a knee, the turning of her head, the piteous scattering of her hair from side to side. - (Guardsman of Gor, Chapter 20, Sentence #918)
Chapter # Sentence # Quote
20 918 I View more quotes about observed">observed the dancer, closely, the striking of her small, clenched fists on the tiles, the scratching of her fingernails at their smooth surfaces, the turning of a hip, the flattening of a thigh, the lifting of a knee, the turning of her head, the piteous scattering of her hair from side to side.

Book 16. (7 results) Guardsman of Gor (Context Quote)

Chapter # Sentence # Quote
20 915 I smiled.
20 916 The Sa-eela, of course, is not the sort of dance which could be performed by a free woman.
20 917 Peggy, then, was back from the table, on the tiles, on her back, and sides, and knees, and then prone, and then again supine, and then writhing, as though in frustration and loneliness.
20 918 I observed the dancer, closely, the striking of her small, clenched fists on the tiles, the scratching of her fingernails at their smooth surfaces, the turning of a hip, the flattening of a thigh, the lifting of a knee, the turning of her head, the piteous scattering of her hair from side to side.
20 919 She lay on her back, and, whimpering, struck down, in misery, stinging the palms of her hands, bruising her small heels.
20 920 She might have been in a cell, locked away from men.
20 921 She then rolled to her stomach, and rose to her hands and knees, and, head down, remained for a moment in that posture.
I smiled. The Sa-eela, of course, is not the sort of dance which could be performed by a free woman. Peggy, then, was back from the table, on the tiles, on her back, and sides, and knees, and then prone, and then again supine, and then writhing, as though in frustration and loneliness. I observed the dancer, closely, the striking of her small, clenched fists on the tiles, the scratching of her fingernails at their smooth surfaces, the turning of a hip, the flattening of a thigh, the lifting of a knee, the turning of her head, the piteous scattering of her hair from side to side. She lay on her back, and, whimpering, struck down, in misery, stinging the palms of her hands, bruising her small heels. She might have been in a cell, locked away from men. She then rolled to her stomach, and rose to her hands and knees, and, head down, remained for a moment in that posture. - (Guardsman of Gor)