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Book 4. (1 results) Nomads of Gor (Individual Quote)

They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments. - (Nomads of Gor, Chapter 12, Sentence #213)
Chapter # Sentence # Quote
12 213 They were not as yet playing, View more quotes about though">though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments.

Book 4. (7 results) Nomads of Gor (Context Quote)

Chapter # Sentence # Quote
12 210 They were in good humor and were laughing and moving their hands about as they regaled one another with accounts of their recent deeds, of which there were plainly a great many, it being the most active season for caravan raiding.
12 211 The fire, I was pleased to note, was not of bosk dung but wood, timber and planking, I was less pleased to note, torn and splintered from a merchant's wagon.
12 212 To one side, across a clearing from the fire, a bit in the background, was a group of nine musicians.
12 213 They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments.
12 214 One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I might mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice.
12 215 There was another kalika player, as well, but he was sitting there holding his instrument, watching the slave girls in the audience.
12 216 The three flutists were polishing their instruments and talking together; it was shop talk I gathered, because one or the other would stop to illustrate some remark by a passage on his flute, and then one of the others would attempt to correct or improve on what he had done; occasionally their discussion grew heated.
They were in good humor and were laughing and moving their hands about as they regaled one another with accounts of their recent deeds, of which there were plainly a great many, it being the most active season for caravan raiding. The fire, I was pleased to note, was not of bosk dung but wood, timber and planking, I was less pleased to note, torn and splintered from a merchant's wagon. To one side, across a clearing from the fire, a bit in the background, was a group of nine musicians. They were not as yet playing, though one of them was absently tapping a rhythm on a small hand drum, the kaska; two others, with stringed instruments, were tuning them, putting their ears to the instruments. One of the instruments was an eight-stringed czehar, rather like a large flat oblong box; it is held across the lap when sitting cross-legged and is played with a horn pick; the other was the kalika, a six-stringed instrument; it, like the czehar, is flat-bridged and its strings are adjusted by means of small wooden cranks; on the other hand, it less resembles a low, flat box and suggests affinities to the banjo or guitar, though the sound box is hemispheric and the neck rather long; it, too, of course, like the czehar, is plucked; I have never seen a bowed instrument on Gor; also, I might mention, I have never on Gor seen any written music; I do not know if a notation exists; melodies are passed on from father to son, from master to apprentice. There was another kalika player, as well, but he was sitting there holding his instrument, watching the slave girls in the audience. The three flutists were polishing their instruments and talking together; it was shop talk I gathered, because one or the other would stop to illustrate some remark by a passage on his flute, and then one of the others would attempt to correct or improve on what he had done; occasionally their discussion grew heated. - (Nomads of Gor)