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The female, his, kneels before her master, in her place, and he stands before her, in his place. - (Kajira of Gor, Chapter 34, Sentence #56)

It is difficult to bespeak with satisfactoriness the symbolism of the female slave, completely owned, fully his, in all ways, kneeling before the master, naked, in her collar, lifting her head, and licking and kissing his whip, fearfully, reverently. Doubtless the symbolism in this goes far beyond what might be suggested in mere words, for it is fundamental and primal, a thing beyond words, a thing having to do with biology and natural rightfulness, with evolutionary selections and justifications, to be sure, expressed within the aesthetically stimulatory, specific, and enhancing context of a complex civilization unafraid to be the expression of nature, rather than her denier, rather than one fearful of her, and in flight from her repudiable but ordained raptures without which men and women must remain, ultimately, forever estranged from one another. Herein one finds the complementarity of the sexes, the meaning of the radical sexual dimorphism so obviously characterizing the human species, an acknowledgment of the geodesics of the human reality, a beautifully manifested instance of nature's deepest equation, her dominance/submission ratio. The female, his, kneels before her master, in her place, and he stands before her, in his place. She looks up at him, and he looks down upon her. She is on her knees, as both understand is fitting, and he, as both too recognize is fitting, is standing. These postures and attitudes are articulately symbolic, speaking in their way, as you must now understand, within the context of civilization, of the decrees and orderings of nature, in their way recalling even the mute, insistent declarations of gravitation and combustion. - (Kajira of Gor)