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Book 20. (1 results) Players of Gor (Individual Quote)

They cannot help it. - (Players of Gor, Chapter 16, Sentence #413)
Chapter # Sentence # Quote
16 413 They cannot View more quotes about help">help it.

Book 20. (7 results) Players of Gor (Context Quote)

Chapter # Sentence # Quote
16 410 At his words, of course, Lady Telitsia and Bina, too, wiggled, and, in Lecchio's grip, having little choice, wiggled well.
16 411 The girls were not dancers, of course, but they were slaves.
16 412 A woman who has been in a collar and helplessly in the hands of men does this sort of thing rather differently, of course, than would a virgin or an inert free woman.
16 413 They cannot help it.
16 414 Still, in the comedic situation, given their characterizations, they strove, successfully, I think, to give the impression of free women being forced to move in this fashion and yet, at the same time, marvelously, managed to be sexually attractive.
16 415 The movements, of course, were not, nor were they intended to be, those of an actually displayed slave in such a predicament, say, in a market or capture camp, being commanded, say, to "move" before men, the adagio movements, the sudden movements, the melodious movements, the incredibly sensuous movements, generating a slow, almost glowing sexual heat, in which a girl indicates her charms, and displays them hopefully, perhaps even desperately, to men, in an earnest attempt to please, perhaps, even, to win her life.
16 416 On the other hand, at one point, Bina did twist toward the player and, somewhat out of character, moved in such a way that there was no doubt that it was to him, he who had her current use, that she was presenting herself.
At his words, of course, Lady Telitsia and Bina, too, wiggled, and, in Lecchio's grip, having little choice, wiggled well. The girls were not dancers, of course, but they were slaves. A woman who has been in a collar and helplessly in the hands of men does this sort of thing rather differently, of course, than would a virgin or an inert free woman. They cannot help it. Still, in the comedic situation, given their characterizations, they strove, successfully, I think, to give the impression of free women being forced to move in this fashion and yet, at the same time, marvelously, managed to be sexually attractive. The movements, of course, were not, nor were they intended to be, those of an actually displayed slave in such a predicament, say, in a market or capture camp, being commanded, say, to "move" before men, the adagio movements, the sudden movements, the melodious movements, the incredibly sensuous movements, generating a slow, almost glowing sexual heat, in which a girl indicates her charms, and displays them hopefully, perhaps even desperately, to men, in an earnest attempt to please, perhaps, even, to win her life. On the other hand, at one point, Bina did twist toward the player and, somewhat out of character, moved in such a way that there was no doubt that it was to him, he who had her current use, that she was presenting herself. - (Players of Gor)