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The movements, of course, were not, nor were they intended to be, those of an actually displayed slave in such a predicament, say, in a market or capture camp, being commanded, say, to "move" before men, the adagio movements, the sudden movements, the melodious movements, the incredibly sensuous movements, generating a slow, almost glowing sexual heat, in which a girl indicates her charms, and displays them hopefully, perhaps even desperately, to men, in an earnest attempt to please, perhaps, even, to win her life. - (Players of Gor, Chapter 16, Sentence #415)

A woman who has been in a collar and helplessly in the hands of men does this sort of thing rather differently, of course, than would a virgin or an inert free woman. They cannot help it. Still, in the comedic situation, given their characterizations, they strove, successfully, I think, to give the impression of free women being forced to move in this fashion and yet, at the same time, marvelously, managed to be sexually attractive. The movements, of course, were not, nor were they intended to be, those of an actually displayed slave in such a predicament, say, in a market or capture camp, being commanded, say, to "move" before men, the adagio movements, the sudden movements, the melodious movements, the incredibly sensuous movements, generating a slow, almost glowing sexual heat, in which a girl indicates her charms, and displays them hopefully, perhaps even desperately, to men, in an earnest attempt to please, perhaps, even, to win her life. On the other hand, at one point, Bina did twist toward the player and, somewhat out of character, moved in such a way that there was no doubt that it was to him, he who had her current use, that she was presenting herself. He raised his hand a small way above the table, hardly more than a movement of fingers, acknowledging this. She then returned to character, still helpless, of course, in Lecchio's grip. - (Players of Gor)