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They were knotted at the left hips, so that the opening was at their left thighs, where, on the thighs, could be seen the circular, adhesive patches they had worn during the play, those patches which, in the conventions of the theater, informed the audience that they were to be taken, for the purposes of the play, as free women, and not the slaves they really were. - (Players of Gor, Chapter 16, Sentence #790)

In a moment, smiling and bowing, all the actors had returned to the stage. Rowena, Lady Telitsia and Bina, freed of their chains, now had their collars bared. The scarves which they had worn about them were now knotted about their hips. They were knotted at the left hips, so that the opening was at their left thighs, where, on the thighs, could be seen the circular, adhesive patches they had worn during the play, those patches which, in the conventions of the theater, informed the audience that they were to be taken, for the purposes of the play, as free women, and not the slaves they really were. Boots Tarsk-Bit leaped, too, to the stage, bowing to the audience, and, with expansive gestures, proudly displayed his actors. Petrucchio, stepping forward, received the most applause. Boots removed, one by one, the circular adhesive patches from the thighs of the girls, this baring their brands. - (Players of Gor)