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Nature welcomed and accepted is nature in health; nature rejected and thwarted is nature crippled, nature poisoned. - (Players of Gor, Chapter 21, Sentence #44)

Many free women wonder if they are beautiful enough to be a slave; they put this question to themselves in their privacy while standing naked before a mirror; it is a question whispered to their pillow. The second major reason that the most beautiful women are slaves is that slavery increases the beauty of a woman, and this has to do not simply with the diet, exercise, gracefulness, training, carriage, and such, expected of slaves, but has to do even more, I suspect, with the inward transformation which takes place in her, the newly found energy, the fresh, zestful eagerness, the vitality, and radiance, which marks her transition from the stiffness, the coldness, the constraints, the pretenses, the false images, the inhibitions, the self-alienations, the repressions of the free woman to the health, openness, fulfillment and joy, and, in a sense, interestingly, the freedoms of the slave. This has, one supposes, something to do with the depth nature of the human female which, when culturally permitted, and encouraged, manifests itself so beautifully, in such exquisite, needful, vulnerable, passionate femininity. Nature welcomed and accepted is nature in health; nature rejected and thwarted is nature crippled, nature poisoned. So I had thought it useful to refer to the former Lady Yanina as merely "pretty". Let this communicate something to her of her loss of status; let it, too, unsettle her to some extent in her hitherto-unquestioned confidence in her own extraordinary beauty; let her become uncertain about it, confused, apprehensive; would this not encourage her to become a better, more avid, even more beautiful slave? And so my use of the expression 'pretty', I trusted, would do her good. To be sure, I expected the former Lady Yanina would look well on the slave block. - (Players of Gor)