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I suppose that this might have been an effect only of the startling alarms of my imagination, they informing me with some vividness as to what it might be to feel its stroke, but I suspect, really, that there was more involved. - (Dancer of Gor, Chapter 3, Sentence #860)

Could I be remembering it, I wondered, from a sunlit shelf in Memphis, from a patio in Athens, from a post in Rome or a ring, cords on my wrists, in a women's quarters in Bokara, Basra, Samarkand or Baghdad? Had I felt it before, somewhere, or in many places, and never, even through a succession of lives, forgotten it? No, I told myself, that would be quite unlikely. On the other hand, I had little doubt that many women in the past, in such places, and in thousands of others, had had their behavior corrected with perfection by just such instruments and their kin, such as the switch, the strap, the bastinado. There was something in me, however, which seemed to know the whip, and terribly feared it. I suppose that this might have been an effect only of the startling alarms of my imagination, they informing me with some vividness as to what it might be to feel its stroke, but I suspect, really, that there was more involved. I suspect that there was a kinship of sorts between myself and the whip, that we were perhaps, in some sense, made for one another, that even if I never felt it I recognized it as having something authoritative, and intimate and important, to do with me, and what, in my heart, I secretly was. I felt the lash brushing my back, twice more. It seemed to do so thoughtfully, meditatively. - (Dancer of Gor)