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Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. - (Dancer of Gor, Chapter 8, Sentence #222)

Surely he had planned this coup, this joyful, lovely trick, his master's jest, so rich and delicious, even from the time of the library on Earth, even from the time the conical, stiff, rubberized mask had been placed over my nose and mouth. We were kneeling, facing one of the small doors. "Heads to the dirt!" called a man. Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many masters, though it tends to be rather associated, usually, with given cities, require this position of their girls, usually when they first enter his presence, or find themselves, as in a room which he has entered, in his presence. She is then, usually, when given permission, permitted to lift her head, but is to remain kneeling before him, beautifully, in a standard position, her knees closed if she is a house or tower slave, her knees open, if she was the sort of slave I was, whatever sort of slave that was supposed to be. It is almost universal, as far as I know, that a slave kneels in one fashion or another when entering her master's presence, or if she should find herself in his presence. - (Dancer of Gor)