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In a moment or two, as Mirus solicited further interest among the customers, I heard the sounds of the instruments, the czehar and kalikas being tuned, the flautist trying passages, the drummer's fingers light on the taut skin of his instrument, the kaska, then adjusting it, then trying it again, then tapping lightly, then more vigorously, with swift, brief rhythms, limbering his wrists, fingers and hands. - (Dancer of Gor, Chapter 11, Sentence #470)

In a bit, then, these sales had been made. Hendow gestured with his head to the musicians, and they made their way, one by one, through the beaded curtain. There were five of them, a czehar player, two kalika players, a flautist and a drummer. In a moment or two, as Mirus solicited further interest among the customers, I heard the sounds of the instruments, the czehar and kalikas being tuned, the flautist trying passages, the drummer's fingers light on the taut skin of his instrument, the kaska, then adjusting it, then trying it again, then tapping lightly, then more vigorously, with swift, brief rhythms, limbering his wrists, fingers and hands. The music of Gor, or much of it, is very melodious and sensuous. Much of it seems made for the display of slaves before free men, but then, I suppose, that is exactly what it is made for. Then the musicians were silent. - (Dancer of Gor)