Results Details

One striking set of mosaics details a slave raid from its initial planning phases through the successful return of the Slavers, on tarnback, to Ar with their stunning victims; another picks up this story from the registration and training of prizes to the block of the Curulean itself; another records the theoretical history of certain of these prizes, fortunate enough to be sold to men of Ar, who find eventual rapture in the arms of their masters, of Ar, naturally. - (Assassin of Gor, Chapter 19, Sentence #66)

We began to walk down a long, slowly bending passageway. I had seen the Curulean from the outside before, but I had never been inside. From the outside it resembles several tiers of disks, surrounded by a circling portico with lofty, fluted columns; the predominant colors are blue and yellow, the traditional colors of the Gorean slaver; around the outside there are large numbers of well-wrought mosaics set in the walls, and on the floor of the circling portico; various scenes, stories and events are depicted, primarily having to do with, as would be expected, the trade of the Slaver and his merchandise; there are hunting scenes, for example, and those of capture, enslavement, training, the sale, the dance, submission, and so on. One striking set of mosaics details a slave raid from its initial planning phases through the successful return of the Slavers, on tarnback, to Ar with their stunning victims; another picks up this story from the registration and training of prizes to the block of the Curulean itself; another records the theoretical history of certain of these prizes, fortunate enough to be sold to men of Ar, who find eventual rapture in the arms of their masters, of Ar, naturally. There is another set of interesting mosaics, each portraying a chained beauty, identified as being of a given city, kneeling before a Warrior, identified as being of Ar. The men of Ar, like those of most other Gorean cities, regard themselves as being the best and finest on Gor, and the women of other cities as being worthy of being only the slave girls of such men. I would suppose that the Slavers, many of them sophisticated, rather cosmopolitan men, who come to Ar from many distant cities, must find such mosaics delightful; I am sure they have seen similar representations in their own cities, only there it is perhaps a wench of Ar who kneels, frightened, obedient, at the feet of one of their own warriors. - (Assassin of Gor)