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The dance in the circle, as one might have gathered, was not the stately dance of free maidens, even in which, of course, the maidens, though scarcely admitting this even to themselves, experience something of the stimulatory voluptuousness of movement, but slave dance, that form of dance, in its thousands of variations, in which a female may excitingly and beautifully, marvelously and fulfillingly, express the depths and profundities of her nature. - (Magicians of Gor, Chapter 3, Sentence #369)

She wore ropes and performed on her knees, her sides, her back and stomach. "She is very good," said Marcus. "Yes," I said. The dance in the circle, as one might have gathered, was not the stately dance of free maidens, even in which, of course, the maidens, though scarcely admitting this even to themselves, experience something of the stimulatory voluptuousness of movement, but slave dance, that form of dance, in its thousands of variations, in which a female may excitingly and beautifully, marvelously and fulfillingly, express the depths and profundities of her nature. In such dance the woman moves as a female, and shows herself as a female, in all her excitingness and beauty. It is no wonder that women love such dance, in which dance they are so desirable and beautiful, in which dance they feel so free, so sexual, so much a slave. Another woman entered the circle. - (Magicians of Gor)