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In such exhibitions, in such performances, movement, grace and rhythm are, of course, quite important. - (Witness of Gor, Chapter 12, Sentence #212)

I was, and had been, public to men; I belonged to them; I was subject to their regard and whim; I had been exposed as frequently and routinely, and, I suppose, as naturally and as appropriately, as any other sort of domestic animal. Indeed, but a bit before, I had performed for men, before the dais, providing them not only with a glimpse of my beauty, if beauty it was, but with an authentic, detailed, lengthy, provocative display of it, an exhibition designed to leave little to conjecture concerning at least the externals of whatever interest I might hold for them. It seemed I could have done little more unless I had stood chained on a sales platform, to be literally handled as the curved, tender little beast I was, or had perhaps been conducted behind the purple screen to be tested in a more intimate fashion. In such exhibitions, in such performances, movement, grace and rhythm are, of course, quite important. It is the moving, living, breathing, vital woman which is of interest. One must not only look beautiful, you see, but one must be beautiful. "Such, I gather," said she, "has not been the case with you". - (Witness of Gor)