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I danced out, onto the porch, overlooking the city, the lights. - (Witness of Gor, Chapter 16, Sentence #207)

That is perhaps partly because, on this world, it is permitted only to slaves, but I think it is more likely because, in it, the nature of woman is clearly manifested as slave. One might also mention that the dancer, in this form of dance, on this world, is commonly expected to satisfy the passions which she may have aroused. The submission which commonly figures in the finale of her dance, on this world, is not, I assure you, purely symbolic. I danced out, onto the porch, overlooking the city, the lights. I now saw that some of the lights, indeed, were on the distant walls of the city. They were beacons. Their primary purpose is to guide in the warriors, mounted on the gigantic saddlebirds, to enable them to safely negotiate the defenses of stakes and wire on the walls. - (Witness of Gor)