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The figures on the vessel, two on one side, two on the other, were similar, rather as in a repeated design. - (Prize of Gor, Chapter 22, Sentence #285)

It reminded her of similar vessels she had seen long ago in museums, from ancient Greece, and she did not doubt but what the techniques and style of that and similar vessels might own to antecedents of her former world, that they might, in substance, nature and style, be traced back to the work of ancient terrestrial craftsmen. She found the vessel precious and beautiful, but here, of course, such things were thought little of; they were familiar, cheap and common. They were used for the serving of common ka-la-na; they might be handled even by slaves. The figures on the vessel, two on one side, two on the other, were similar, rather as in a repeated design. On each side the same scene was depicted, that of a nude female, presumably a slave, kneeling before a man, presumably her master, in whose hand there was a whip. The female had her hands, the wrists chained, lifted to the man, as though in supplication. He was looking down upon her, presumably considering some plea, perhaps for forgiveness, perhaps for mercy. - (Prize of Gor)