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Always beautiful, always a female who disturbed dreams, who would be likely to occur in them naked, in a man's chains, she now seemed to me much more beautiful. - (Mariners of Gor, Chapter 21, Sentence #506)

To be sure, there were some slaves from each keeping area whom I recognized would be likely to bring more off the block than Alcinoë, if sold as common meat, and not as an item of special interest, on which, say, a bounty might be collected. But, in spite of that, even considered as common meat, I thought one could do far worse than the slave, Alcinoë. Too, I thought her much improved from Ar. Always beautiful, always a female who disturbed dreams, who would be likely to occur in them naked, in a man's chains, she now seemed to me much more beautiful. And this was not, in my view, a simple matter of the carefully supervised regimen of diet and exercise routinely imposed on domestic animals of her sort, shaping, trimming, and vitalizing her figure, that it might be brought to the block as a superb stimulus to buyers. It was, rather, the fuller beauty of a woman, which is brought out by bondage, a tonicity, a softness, a femininity, an aliveness, a sensitivity, a vulnerability, an awareness, in which her wars are done, her conflicts resolved, her self-torments ended, her inhibitions vanished, her identity secure, the relief and welcome joy of a woman who accepts herself as what she is, and is content to be, and desires to be, a slave who hopes to be found pleasing by her master. I recalled her from Ar, in her ornate, sumptuous robes, one of which might have cost a laborer a year's wages, sometimes so casual about the hem, lifting it up a bit, as to examine the heel of a slipper, but exhibiting an ankle, or drawing back, against her, or smoothing, about her, a garment, in such a way that one might speculate about the line of a figure, or the turn of a hip, but, much more often, the carelessness with which a veil might have been disarranged, adjusted, or loosened. - (Mariners of Gor)