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The house tunics, incidentally, those worn in the house, were commonly drab, usually being brown or gray. - (Conspirators of Gor, Chapter 8, Sentence #87)

At that time, hooded, I did not realize the striking beauty of a Gorean city, how so many of its buildings, the lofty towers and graceful bridges, the spacious porticoes, the splendid colonnades, and such, were bright with color, nor was I aware of the wealth of colors in clothing, both that of men and women. I did realize, of course, from the house, that slave tunics came in a variety of cuts and colors, in samples of which I had been forced to pose before mirrors, but each was commonly of one color. They were, after all, slave tunics. The house tunics, incidentally, those worn in the house, were commonly drab, usually being brown or gray. There are fashions in such things, of course, for both the free and the slaves, with respect to colors, textures, materials, cuts, hemlines, and so on. How and when fashions changed, and why they changed, was not clear. Doubtless there were setters of trends, say, highly placed officials, wealthy Merchants, Actors, Singers, and Poets, certain women of noble family and high caste, and such, but why should one option rather than another succeed in being adopted, however transiently? Perhaps the higher, better fixed, more established or influential members of the Cloth Workers had something to do with it, with hints, with words dropped now and then, with boulevard posters, with some judiciously distributed free garmenture, here and there, and so on. - (Conspirators of Gor)