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Venna was far more permissive than Ar, for in Ar slaves, unless discreetly concealed, were not permitted in the stadiums, let alone theaters. - (Conspirators of Gor, Chapter 17, Sentence #25)

I pulled a little at my wrists, which were braceleted behind me. It is only so that my sort were permitted in the stadium. To be sure, if the master lacks bracelets, one's wrists may be thonged or corded behind one, or, with a strip of cloth, tightly scarfed in place. Venna was far more permissive than Ar, for in Ar slaves, unless discreetly concealed, were not permitted in the stadiums, let alone theaters. For example, one would almost never see them at the pageants, the plays, the concerts, the song dramas, the epic readings, the great kaissa matches, and such. This was in deference, supposedly, to the feelings of free women, whose sensibilities might be offended by the presence, in their vicinity, of the half-clad, shapely beasts of masters. One sort of slave, however, is likely to be more visible in a stadium, a certain sort of stadium, a "stadium of blades," a more vulgar, violent milieu, the sort helplessly chained naked to a post, a sack of gold tied about her neck, she and it prizes to be awarded to a successful fighter. - (Conspirators of Gor)