Results Details

I now had a Singer on a central square, but he had freed his Ax Four, on which he might now situate the Jarl for an attack on the Jarl's Woman's Ax's file. - (Marauders of Gor, Chapter 4, Sentence #119)

Forkbeard put his First Singer to his own Ax Four, threatening my Ax. I covered my piece with my own First Singer, moving it to my own Ax Five. He exchanged, taking my Ax at Jarl Six, and I his First Singer with my First Singer. I now had a Singer on a central square, but he had freed his Ax Four, on which he might now situate the Jarl for an attack on the Jarl's Woman's Ax's file. The tempo, at this point, was mine. He had played to open position; I had played to direct position. The Ax is a valuable piece, of course, but particularly in the early and middle game, when the board is more crowded; in the end game when the board is freer, it seems to me the Singer is often of greater power, because of the greater number of squares it can control. - (Marauders of Gor)