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The interplay between the restraint of the position and her animation gives the position incredible power and beauty. - (Slave Girl of Gor, Chapter 2, Sentence #965)

Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly. Any girl knows that an interesting body is a moving body. Even within the apparent restraint of the position of the pleasure slave a girl's body can be a subtle, provocative melody of motion. The interplay between the restraint of the position and her animation gives the position incredible power and beauty. Yes, power. More than one master, I suspect, has been enslaved by the beauty who kneels before him. It is one of the excruciating delights of the mastery to expose oneself fully to, and yet skirt, the dangers of the girl's beauty, to keep oneself strong, to draw the absolute fullness of pleasure from her, and yet to resist her wiles, to get everything from her, and yet to keep her on her knees, fully, perfectly, completely. - (Slave Girl of Gor)